Artist Chelsea M. Rowe marries festive colors to a violent act in her art, a contrast that opens up the possibilities for interpretation. There’s no getting away from the pain, the blood spilling from both figures as they split from one another. But it’s not just a portrait of torture. It suggests a form of creation and change, too: the chance to survive, make something different.
The sense of energy, connection, and a little bit of revolution in Rowe’s piece was in the air at the artist-organized City-Wide Open Studios’ Erector Square weekend, as dozens of artists who threw open their studios, and the steady stream of visitors that came to see them and their work.
